TV screens may have gone color in the '60s, but TV actors didn't -- the small screen remained a white, white world. It remained white-washed in terms of subject matter, as well: no controversy, no politics, and no racial prejudice (because, of course, there were no people of color). That all changed
Viewed from one angle, Alain Resnais functioned as a condensation of film production -- writing, directing, shooting, and editing his own films. But looked at from another angle, Resnais embodies a kind of schizophrenia, a multiplication of roles dispersing his voice and being through time and space.
Trained as a filmmaker Lafia's work is informed by a joyous engagement with the formal qualities of artistic practice. In his own words, his "work is an exploration of how discourse constructs itself." His early experimental films -- "Auto-re-tour" and "Fini La Guerre" -- investigate the tensions be
Hybridity is the name of Shu Lea Cheang's game. Her co-participants are artists and cyber-communitarians everywhere. The artist's earlier participation in the activist video/media art movement of the 1980s has slowly mutated to incorporate new communications technologies -- like the Internet -- to ex