"Film is like a battleground," Sam Fuller once said. Although he was speaking not as himself but in a cameo role as a filmmaker in Jean-Luc Godard's "Pierrot le Fou," the comparison applies perfectly to his own directorial work. Cigar firmly planted between his lips, Fuller has been getting tough in
Everything in the world of Danny Boyle seems at once dark, decaying, and shining with an unfathomable luster. He often exposes his characters to inauspicious conditions, to situations admitting no happy resolution, to encounters that incite every lamentable emotion a young mind can imagine.
Twenty minutes to collect 100,000 deutsche marks. Pulsating techno. Whip pans and fast edits. A fiery heroine with dyed-red hair frantically running to save her boyfriend's life. "The initial idea was an image," says 34-year-old director Tom Tykwer. "The image of a woman running."
This apparently or
In "Performance," Roeg's first feature film as director, Mick Jagger plays a reclusive rock star who, amid a hedonistic tangle of sex and drugs, insinuates his identity into that of a small-time gangster taking refuge in his home. Making use of his skills as a cinematographer, Roeg splices in images