About the drama between good and evil, the editors of the Catholic Encyclopedia are expert; and about Aubrey Beardsley, regularly found at the side of the goddess of indecency fanning her with a gigantic palm leaf, they have this to say: "He was unable to withstand the desire to do clever, mischievou

Art nouveau design, Arts & crafts design, Cartoonish, Erotic, Funny, Huge, Mythic, Perverse, Phallic

Peter Blake creates collages that are undoubtedly odd but never jarring or disruptive. His taste for cut-and-paste techniques does not, like most dada art, culminate in black humor; Blake is nothing if not light. He opposes nothing and negates nothing but instead basks in the icons of popular culture

Collage, Eclectic, Funny, Joyful, Pop art, Quirky

"In order to educate man to a new longing," Constructivist Alexander Rodchenko once wrote, "everyday objects must be shown to him with totally unexpected perspectives and in unexpected situations." Fifty years later, in the late '70s, Neville Brody adopted this as his mantra and launched a full-scal

Bright, Eclectic, Playful, Pop, Typography

At the beginning of the twentieth century, the aesthetic and intellectual world of England belonged to the Bloomsbury group. By now its members are household names: Bertrand Russell, Clive Bell, D.H. Lawrence, E.M. Forster, Virginia Woolf. Their writings alone speak volumes about the Bloomsbury pench

Art nouveau design, Bright, Elegant, Post-impressionism, Sensual, Serene