In an Eisenstein film, loose, metaphorical associations displace narrative continuity: images related only by analogy cut up chronological sequences. Physical action is by turns slowed down to a grueling pace and sped up to a frenzy. In every respect, Sergei Eisenstein's films are challenging. And ye
Peter Blake creates collages that are undoubtedly odd but never jarring or disruptive. His taste for cut-and-paste techniques does not, like most dada art, culminate in black humor; Blake is nothing if not light. He opposes nothing and negates nothing but instead basks in the icons of popular culture